Today’s guest is Xenia Koghilaki, a dancer-choreographer working between Athens and Berlin. With author Sean Pfeiffer, she discusses her research into crowd dances and moshing. She talks about the resulting piece Slamming, and how anticipation and release function as structural devices in her work.

Today’s guest is Astrid Boons, a Belgian choreographer currently working in the Netherlands. Her piece Khôra aims to find humanity in an increasingly technologized world. Her conversation with author Sean Pfeiffer touches upon the philosophical underpinnings of the work and how collaborating closely with the performers shapes her process.

Today’s guest is Georges Labbat, a dancer, choreographer and visual artist working in Paris. With Vienna based choreographer and artistic co-director of the [8:tension] Series, Chris Haring, he met at the Austrian Film Museum to discuss his performance Self/Unnamed. Here, Labbat dances with a resin puppet modeled after himself. They talk about the process of creating the puppet and the ambivalent projections regarding power and desire the duet invites. 

Today’s guest is Soa Ratsifandrihana, a Franco-Malagasy dancer and choreographer based in Brussels. With author Sean Pfeiffer, she talks about showing her solo piece g r o o v e at ImPulsTanz - Vienna International Dance Festival. The work entangles different aspects of Ratsifandrihana’s personal as well as dance heritage, playing with the tension between history and momentary presence.

Today’s guest is Deva Schubert, a dancer and choreographer from Berlin. She sat down with author Sean Pfeiffer for a conversation about her work Glitch Choir, one of the winners of the 2024 ImPulsTanz – Young Choreographer’s Award. They discuss the ever-changing nature of the piece, and how one finds pleasure in a work primarily concerned with grief and lamentation. 

Today’s guests are theatre director Olivia Axel Scheucher and actor Nick Romeo Reimann.

Their collaborative work FUGUE FOUR : RESPONSE was first developed for the Porn Film Festival Vienna. The satirical investigation of how sex and bodies are commodified in the digital age was then adapted for Volkstheater Dunkelkammer. 

For the [8:tension] Series, Olivia, Nick and their collaborators (actress Thea Ehre and performer/choreographer Luca Bonamore) presented the piece in yet another setting – the proscenium stage of Schauspielhaus Vienna.

A month after the festival, Olivia and Nick sat down with writer Sean Pfeiffer. They discussed their residency time at the ImPulsTanz Festival, their foray into the world of contemporary dance and performance, as well as the question of genre in their work. 

The work of Sebastiano, a Vienna-based choreographer and performer, has long been occupied with making space for big emotions. His piece MATHIEU was first developed in a TURBO residency at ImPulsTanz Festival 2022. Following its premiere in WUK Vienna’s project space, it was then presented at Schauspielhaus Vienna in the frame of [8:tension]. 

In his conversation with writer Sean Pfeiffer, Sebastiano discusses the creative potential of guilty pleasures and the collaboration with dancer Hugo Le Brigand and musician Ernst Lima. He also opens up about how he learned to stop worrying and love the term of Tanztheater. 

Her work La Caresse du Coma ft. YOLO is a multi-media performance, a lecture on digital chimeras, and an invitation to a strange and yet strangely familiar world. Together with musical collaborator Loto Retina, Anne-Lise transformed the Kasino am Schwarzenbergplatz into a misty, spa-like space of uncertainties and fabricated truths. 

After their showings, the two of them sat down with writer Sean Pfeiffer. They discussed the role of levity and humor in their work, the productivity of not knowing for sure, and how their residency time at ImPulsTanz stimulated their creative partnership.

Marga’s work opens up spaces in which she is able to explore feminine sensuality and sexuality at her own pace. She and her team joined writer Sean Pfeiffer for a conversation before the second showing of their “lesbian lap dance duet” LOUNGE.

They discussed the reciprocal effect between the music and the dancers and the piece’s ebb and flow of energy and slowness. They also talk about the difficulties in balancing the public and the private while performing intimacy on stage.

After its premiere in cold, dark January at Sophiensaele in the frame of Tanztage Berlin, the heat of summer brought another layer to the work. LOUNGE went on to win the ImPulsTanz – Young Choreographers’ Award 2023, awarded by an international jury of three: writer and scholar Anna Kozonina, choreographer, performer and 2021 award winner Tamara Alegre, and curator and dramaturg Mateusz Szymanówka.

James is a choreographer, dancer and dance teacher from Australia. Now based in Berlin, he works internationally. Before the second showing of his piece Shortcuts to Familiar Places at Schauspielhaus Vienna, James sat down with Chris Standfest. They discussed the ways in which James’ mentor Ruth Osborne as well as the legendary Gertrud Bodenwieser shaped the work.

They also touch on the specific excitement of showing it in Vienna, where Bodenwieser Lived before she had to flee from the Nazis. They further reflect on how expression or Ausdruckstanz is reentering the current dance landscape.

Harald’s first solo Batty Bwoy is both bleak and playful in its re-appropriation of racist and homophobic stereotypes. By embodying this harmful imagery, they emerge on the other side as a newly ambivalent figure, impossible to grasp. 

Batty Bwoy was presented in a spacious white cube setting within the exhibition Blackness, White and Light by New York-based visual artist Adam Pendleton at mumok – Museum of Modern Art Stiftung Ludwig Vienna. The challenging setting created an intense dialogue between the Norwegian-Jamaican performer and Pendleton’s work, leading to huge success with the audience and 2 add-on performances.

Writer Sean Pfeiffer and Harald talk about his inspirations for the piece, the musical collaboration with a Norwegian prog-rock band, and the delicacy of involving an audience directly. 

Esben is a Danish visual artist whose sculptures and performances have been shown at numerous galleries and festivals. Esben’s works tap into his generation’s habits of visual consumption. He has introduced short-attention-span tools like social media livestreams into traditional museum spaces in pieces like BURN!.

The work was developed with fellow performers Aske Høier Olesen and Johan Bech Jespersen. At ImPulsTanz, BURN! was presented both on the big outdoor stage of the festival opening in Vienna’s MuseumsQuartier and in the mumok – Museum of Modern Art Stiftung Ludwig Wien. 

With the writer Sean Pfeiffer, Esben discusses his experiences as a visual artist at a contemporary dance festival. They also talk about the heavy use of pop-cultural signifiers and accessing the authentic through the artificial.

Anna is a Hungarian dancer and choreographer based between Vienna and Stockholm. Her work often deals with bodily memory, cultural identity, and dance as a means of communication. The group choreography DELICATE has been equally shaped by these themes. The work features three female dancers who grew up in different European and Eastern European contexts – namely Karin Pauer in Austria, Adél Juhász in Hungary and 
Sasha Portyannikova in Russia.

After presenting DELICATE at Kasino am Schwarzenbergplatz, Anna sat down with author Sean Pfeiffer. They discussed the role of writing in the development of the piece, Anna’s decision not to perform herself, and her collaboration with musician Rozi Mákó.

Chara is a performer, choreographer and dance instructor based in Athens, Greece. She has studied Theatre Studies as well as Social and Cultural Anthropology and is musically trained. Her artistic practice merges choreography with field recordings, sound collage and writing.

She sat down with author Sean Pfeiffer to discuss her first solo work to be possessed. It premiered at the Onassis Dance Days in Athens before being presented at Schauspielhaus Vienna in the frame of ImPulsTanz – Vienna International Dance Festival. In their conversation, the two touch upon the myth of artistic ecstasy, the comfort of routine, and the similarities between contemporary dance and poetry.